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To follow Carlos Gonzalez's career,
viewers must pay attention to the gradual and anything but linear
evolution of his craft over the past 10 years: from shapes and
forms dedicated to synthesizing the morphology of the world
around him, preferably the natural world, placing the accent
at times on the possibilities of geometrizing the organic universe;
to frankly abstract, strictly geometric pieces, almost always
based on developing models in spaces that are worthy of the
most speculative engineer.
Antonio Eligio (Tonel)
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