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I would suggest that Triana's
emphasis on the structural and discursive devices that have,
since the beginning of modernity, shaped our perception of the
world, underlines the constructive character of memory and identity.
While recent artistic production and much of the contemporary
criticism has focused on art as a redemptive process and a way
of representing national and cultural identity, works like Triana's
seem to think of art in terms of contingent models of representation
always bounded to the discursive structures of society.
Monica Amor
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